The Number 23
Last night we went and saw The Number 23, Jim Carrey’s latest flick.
I had read a bit of background on this film before seeing it, including mixed reviews at the usual review sites, but I have to say - as usual - the majority of the reviews were wrong.
This has to be one of the most underrated films of all time.
While many have commented that the Drama/Mystery/Thriller genres aren’t Carrey’s playground, after seeing 23 I’d have to completely disagree. He slipped into the role of Walter Sparrow perfectly. He is so versatile you’d hardly be able to connect him with the funny man of Ace Ventura or Mask.
Its a dark film, but the sequences in between are done with such style and flair, it almost feels ‘comic book’ in its presentation sometimes, like a take from Sin City - particularly when Suicide Blonde and Fabrizia are on the scene.
The dialogue is smooth, the acting is slick. The sets are fantastically stylish. And right there is where I move on to the most incredible bit of the film. The references to the number 23.
Everything I saw referenced back to 23.
The numberplate on his car, 906 8HT (9+6+0+8), the number of Walter Sparrow’s footlocker; 87305 (8+7+3+0+5), standing on the street between numbers 11 and 12. The address of the bookstore (599), the number across from Suicide Blondes apartment (959), Walter’s room at the asylum (318 or 31-8), the PO Box that they mail the boxes to (977).
You become almost as obsessed with finding the number everywhere as Carrey does. Even after leaving the cinema I was finding 23 everywhere. $22.99 on a price tag out front of Woolworths, the clock in the car read 12:23. The volume in the car set to 23.
It is an awesome subconscious element of the film that makes this one just a little more special.
Some great quotes written into this film also.
“It’s so absurd, even the colour of his tie betrays him.”
“There’s no such thing as destiny. There are only different choices. Some choices are easy, some aren’t. Those are the really important ones, the ones that define us as people.”
It’s not often we see films like this any more and that really is quite a shame.
I want to give it a 9 out of 10, but somehow 6 (2 x 3) seems to suit it better.











